REVIEW: Matthew Bourne’s Sleeping Beauty at MK Theatre

Matthew Bourne’s Sleeping Beauty at MK Theatre

With music by Tchaikovsky, this dazzling production of Sleeping Beauty was absolutely fantastic, having smashed box office records across the United Kingdom since its premiere in 2012. If you’re a fan of Nutcracker or Swan Lake, you will definitely enjoy Sleeping Beauty.

The setting was fantastic, with beautiful lighting to mirror the ballet. From the royal palace to the gardens and forests, the setting really captured what you would imagine it to be like: stunning, artistic and captivating.

The audience was drawn into the pace of the show. It wasn’t too fast, but just right to understand what was going on while still appreciating the ballet performance. My favourite dancer was Tom Clark who played Carabosse - the dark fairy and also played Caradoc - her son. He was so agile and portrayed the characters well.

Tickets for Sleeping Beauty can still be booked on atgtickets.com.

REVIEW: Flavia and Vincent's Last Tango at MK Theatre

Flavia and Vincent’s Last Tango

The famous duo dance their last farewell

Having just finished their sell-out hit shows Midnight Tango and Dance ‘Til Dawn, Strictly Come Dancing stars, Flavia Cacace and Vincent Simone, are quite literally dancing their last dance in the aptly-named show, The Last Tango arguably the best in the trio of performances.

As soon as the music started, there was romance, drama and delight as the pair whizzed around the stage. The audience were completely captivated by their high-energy performance from the first song to the last dance move!  Although Flavia and Vincent's speciality is the Argentine Tango there were plenty of other dance routines to keep the audience happy. There was an excellent of choice of music and singing from Perry Como to our favourite Van Morrison songs. The stage set was particularly enchanting depicting a man looking back over his life as memories are triggered from memorabilia found in the loft.  At points, the intimate performance was quite moving too – they really brought emotion and passion into their performance to the song Autumn Leaves. A real highlight of the show. The Argentine Tango champions finished with the most wonderful finale and got so much praise from the audience and a much deserved standing ovation.

Directed by Olivier award winning director and choreographer Karen Bruce, this feel –good performance really did showcase their best work and isn’t one to miss. 

The show continues till Saturday 28th November. Tickets still available from the box office.

REVIEW: Shawshank Redemption at MK Theatre

Injustice, hope and friendship - Shawshank Redemption at MK Theatre.

Shawshank Redemption at MK Theatre

This new stage production is inspired by the classic film, The Shawshank Redemption; also based on the short novel by Stephen King. Those who haven't seen the film may enjoy the play equally well.

Adapted by Owen O’Neill and Dave Johns, and directed by David Esbjornson, this production should definitely be on your ‘must-see’ list! Full of desperation, injustice, hope and friendships, this performance had the audience on the very edge of their seats. 

The two leading actors, Ian Kelsey and Patrick Robinson, play characters Andy Dufresne and Ellis ‘Red’ Reading who find each other in the most unlikely of circumstances. The strongest performance was certainly by Patrick Robinson.

The audience are taken behind the bars of a maximum-security facility, created brilliantly by the set-designers; it certainly captures the claustrophobic atmosphere of an American prison.  Also make sure you are prepared for some powerful scenes of a graphic nature that has the audience gripped. 

Shawshank Redemption is on at MK Theatre until 21st November. 

REVIEW: The Curious Incident of the Dog in the Night-Time at MK Theatre

The Curious Incident of the Dog in the Night-Time

From Tuesday 3rd to Saturday 7th November 2015, the highly acclaimed National Theatre production, The Curious Incident of the Dog in the Night-Time, is being performed at Milton Keynes Theatre. Having been performed in the West End and on the proud receiving end of seven Olivier Awards, the ingenious production is currently on its first nationwide tour.

Based on Mark Haddon’s award-winning novel, the show - adapted by Simon Stephens and directed by Marianne Elliot – had some absolutely amazing reactions from the audience. From the moment the boy appears on stage with a dead dog at his feet, the audience knew they were in for a fantastic performance.

The Curious Incident of the Dog in the Night-Time

Joshua Jenkins in the title role as Christopher, was very believable and the audience were so engrossed in his performance. With very little props and set, it was all centred on Christopher who is autistic, how he sees the world and his experiences, leaving most of the other details, such as the setting, to the audience’s imagination. It`s a very physical drama with amazing lighting effects to tell the story. The play is partly narrated so that we are seeing the world through the eyes of Christopher which brings with it great humour amid the intensity of the drama.

Visit the Curious Incident website for more information about this thrilling performance at Milton Keynes Theatre: www.curiousonstage.com.

Some tickets still available from the box office. This is a play you don`t want to miss!

REVIEW: The Glenn Miller Story at MK Theatre

The Glenn Miller Story

The Glenn Miller Story at MK Theatre

In this new, dazzling production, the audience are taken through the ups and downs of the life of Glenn Miller. He begins with a simple trombone and the hopes of becoming a world-famous star. Then, once meeting and marrying Helen Burger, he finally reaches the stardom he has always dreamed of.

However having become accustomed to this life of fame and fortune, the music legend suddenly vanishes as he flies to Paris over the English Channel during WWII, intending to go and entertain the troops. It really was a performance of fame and hope shrouded in mystery… What really happened to Glenn Miller?

A live band performed the stunning music throughout the show and how fantastic it was! The songs include ‘It Don’t Mean a Thing If It Ain’t Got That Swing’, ‘Sing Sing Sing’, ‘Get Happy’ and ‘Moonlight Serenade’, all of which were extremely popular, with the audience often clapping and singing along.

Tommy Steele himself played an absolutely fantastic role; he was captivating and so likeable – especially when he spoke to the audience at the very end. Another actor who really stood out was Sarah Soetaert who played Helen Burger. She has such an incredible voice, which harmonises so well with Tommy Steele’s tone.

The Glenn Miller Story is on at Milton Keynes Theatre until 31st October – visit atgtickets.com to book.

REVIEW: Romeo and Juliet at MK Theatre

English National Ballet's Star-Crossed Lovers

Review of Romeo and Juliet at MK Theatre

Romeo and Juliet at MK Theatre

Once again, the English National Ballet have achieved great things with their performance of Romeo and Juliet

Romeo and Juliet is a classic tragedy by William Shakespeare, but when told through ballet, it becomes even more of a dramatic, passionate piece.

From the world famous balcony scene with two star-crossed lovers, to their tragic final moments, this energetic performance literally had it all. Sergei Prokofiev’s live score, performed by English National Ballet Philharmonic, was absolutely breath-taking; it accompanied the ballet with such cleverness and panache.

Romeo and Juliet themselves - played by Isaac Hernandez and Erina Takahashi - were cast fantastically well; they were believable and their dancing told such a powerful story.  Having said this, the one dancer who really stood out was in fact Mercutio, played by 19-year-old Cesar Corrales. His comical dancing solos and immature nature worked in brilliant timing with the orchestra’s score – the humour entwined throughout his dancing isn’t something I’ve seen before in ballet. 

The most significant scene by far was the final Act, as Romeo lay dead and Juliet awoke to find him. However another immensely powerful Act was that led by Tybalt and Mercutio: the fight scene. Even though the set design was very simple, it was particularly effective in this scene; the clashing of swords really had the audience in utter silence, completely in awe of the actors’ skills teamed with Rudolf Nureyev’s powerful choreography.

The show’s last night at Milton Keynes is on 24^th October – visit atgtickets.com to book.

MP Fights to Protect UK Heritage

Parliament’s administrators are considering putting an end to using vellum to record Acts of Parliament.
Newport Pagnell is home to William Cowley, the only remaining company in the UK who produce parchment and vellum which is made from animal skin to document historical records relating to centuries of Parliamentary activity.  

Parliament’s continued use of parchment and vellum is the envy of the world and it’s thanks to vellum and its durability that we can read journals dating back to King Charles II, King Richard I and several million historical records for Parliament, including the Magna Carta, the most celebrated document in history, which has survived for 800 years. 

Established in 1870 and now one of three surviving producers in the world, Paul Wright, of William Cowley said,

"There is bitter irony that the very year we celebrate 800 years of Magna Carta, we may also witness the end of recording Acts on vellum. Vellum has excellent 'green' credentials, needs no specialist aftercare, and has provided us with more understanding of earlier civilisations than any other historical artefact."

Mark Lancaster MP, is seriously concerned that proposals for Parliament to end the use of vellum will in fact be a longer term cost and has written to the Chair of the Administration Committee, Sir Paul Beresford to share his concerns. 

Mark commented,

“I’m determined to try and do my bit to convince Parliament to continue to use vellum to record Acts of Parliament for future generations. What records will exist in 2815?  What evidence will be left for future generations?   Historians have known that but for the use of vellum, we would not have the information or the understanding of earlier civilisations that we have today.  I for one would not want to rely solely on electronic data to preserve and protect our heritage. I understand the need to reduce cost but I believe this particular measure is short sighted and Parliamentary authorities should reconsider.”