I don’t need to go into too much detail about this play other than to tell you to go see it! It really is phenomenal. I’ve seen simple stage sets before where the whole play is carried out across one setting with a few props moved here and there but I don’t think I’ve been so absorbed by a giant, interactive, black chequered box with a few light up cubes, some chalk and a train set!
In a nutshell, the story follows Christopher, a young boy of 15 with “Behavioural Problems’ when he finds his neighbour’s dog has been murdered in the night with a garden fork. He does some investigating to find out whodunit and discovers a few more mysteries along the way. He decides to travel to London alone through the hustle and bustle of crowds, train stations and an overwhelming amount of constant information – something that can be quite daunting for all of us, but for Christopher, it’s truly frightening and we get to see this through his eyes and his reactions.
Superbly acted and performed by all the company and especially from Scott Reid, playing Christopher – we featured an interview with Scott in September’s Phonebox and he told us all about how he learned to act and hold himself differently, to talk differently and how exhausting it can be not being able to leave the stage. Christopher has Asperger’s Syndrome, wonderfully portrayed by Scott and the audience watched in awe and we can all relate to some of his views on the world around him.
Mark Haddon, author of the original book which this play is based on, said, ‘Is Christopher a correct representation of someone with the condition? The assumption being that there is indeed a correct representation of the condition. I think it’s indicative of the way we think about people we label ‘disabled’ that we can even ask this question. We would never ask if a character in a novel was a correct representation of a cellist or a lesbian or an archbishop. There is no such thing. And the same is true for people who are given the label ‘disabled’. They are as various and individual as any other group in society.’
The show is fast paced, funny, sad, bursting with dialogue and facts and is very intense. You’ll be hooked from the start.
Catch The Curious Incident at Milton Keynes theatre until Saturday 16th September – www.atgtickets.com